Revealing Sweeney Todd: Exploring a 19th Century Penny Dreadful as a Literary Classic

In 2013 the mention of the character Sweeney Todd conjures up images of gray vertebral column Depp dressed in dramatic hold upup and singing in a high budget hire production however, todays audiences may not be aw ar of the scoundrels extensive archives in side of meat publications and the numerous trans spurtations that alsok signal before the unveiling of the musical monster. From its origin as a serialized penny Dreadful to an expatiate text and eventual stage play, the infamous barber Sweeney Todd has become a well- cognise literary character. Sweeney Todd first appeared in the penny Dreadful name A pull in of Pearls.A romance publish anonymously in 1846/1847. The first work was subject only to negative checks as a cheaply written tale for the refuse cryst solelyizees of England. As the chronicle has go finished time and Sweeney Todd has gained popularity, this true text deserves scholarship beyond that of a simple immoral tale. The mysterious plot of l and of the myth guides subscribers through a suspenseful narrative laden with mystery and surprise. Much in the stylus that the pieces of the story are revealed, it is apparent that the 1847 A twine of Pearls. A Romance. be exposed as a bully work in slope literature.I impart examine the ways in which the storys title misguides the commentator in plot and twists the storys boilersuit context, ultimately robbing it of the credit it deserves. I will then look at the ways in which the storys potential fame has been masked shadow nineteenth century literary reexamination. Based on the title of the piece, the caravan of pearls would appear to be the key plot element of the story. The lecturer assumes that the plot will be driven forward by the stolen gems and that ultimately they will be the nourish that brings together the lost lovers at the end of the tale.conversely the pearls end up leading the reader astray, becoming only most-valuable in subplots of the story (Mack 1 20). The inst solelyation of the string of pearls is at heart the first chapter when Sweeney Todd burgles them from recognise Ingestrie before strikeing him in his barber obtain. The pearls are the treasure brandmark Ingestrie had brought back for his betrothed, Johanna Oakley and while the tale is dedicated to the strand of pearls, they are only the pauperism for plot movement in two of the thirty nine chapters, seem only when the barber tries to sell them off for pro find out.The pearls misguide the reader in plot however, it is the secondary title A Romance that misrepresents the gothic form of the story. Gothic literature originated in the mid eighteenth century and was targeted toward the alike(p) middle- distinguish audience as novels (Davison 2). What separated the genre from the majority of whole kit and caboodle at this time was its focus on ghostly and mystical actual and settings. Most critique of gothic works during the eighteenth and nineteenth centuries was concern on its immoral nature as it was claimed that the literature appealed to readers corrupt tastes (Davison 5). accredited elements of literature are prescribed solely to the gothic and can intimately define a work as belonging to the genre. According to Davison on that point are terzetto features that can always be found within a gothic revulsion, romance and mystery (7). With this description in bear in mind and the feature that A String of Pearls. A Romance was a centime dreadful whose roots were founded in the gothic genre (Anglo 1), it is easy to place the story within the realm of gothic literature. Looking specifically at the three elements outlined by Davison, it is questionable as to why A String of Pearls was published as a romance.The romance in the story is typical of eighteenth century tales, where love is the cause of immense delectation or upset to characters. Reactions of romantic characters of the period are expected to be over the top dramatically (Da vison 58). The romantic characters in the story, Johanna Oakley and Mark Ingestrie fit this description accurately. Johannas love for Mark Ingestrie is unbearably strong and the reader is subject to her immense folly as she learns of his possible death. She cries Oh, Heaven why cast off I lived so long as to admit the susceptibility to listen to such fearful tidings? Lost- lost- all lost perfection of HeavenWhat a wilderness the world is now to me (Lloyd 28) after attainment that her betrothed did not rejoin from his trip at ocean. Mark Ingestrie besides shows brief moments of extreme emotion when he believes that Johanna has betrayed him for another man he admits to himself that he is all alone as she whom I loved is unfaithful (Lloyd 61). opus the two romantic characters in the story prove to be accurate portrayals of romance literature at the time, their melodramatic outbursts are elevated within the story and do not pre-occupy the tale. Much more conspicuous in the st ory is the disquietude induced by the characters of Sweeney Todd and Mrs.Lovett. Sweeney Todd is described as maniacal in both appearance and action while the annoyance duo haunt the entire town, feeding their victims flesh to the population of London. The source chapter of the story introduces the reader to Todd and from the beginning Todd gains his reputation as the storys villain. Described as ill- put-togetherwith an immense mouth and such huge pass on and feet (Lloyd 2), the barber is made to appear monstrous. His laugh is in addition described to the reader early on to be so terrifying that a customer comments do you call that a laugh?I suppose you caught it of individual of who died of it. If thats your way of laughing, I beg you wont do it anymore. (Lloyd 4). It is not only his horrific appearance introduced in chapter one, but also Todds wicked personality. It can hardly be taken as a joking threat when the barber leans into his apprentice Tobias and warns listen to me, and treasure up e truly word I say Ill cope your throat from ear to ear, if you repeat one word of what passes in this shop (Lloyd 3). From the beginning of the tale, readers are cautioned that this character possesses the traits that will turn this tale into a terror.Todds partner in iniquity is also subject to an introduction highlighting her villainous features. While Mrs. Lovett is described to be physically very appealing, her eyes and grin portray the evil within her. It was express that her smile was cold and uncomfortable-that it was upon her lips, but had no place in her heartand at that place was a lurking roil in her eye (Lloyd 18). The description given of Mrs. Lovett, with the lurking devil in her eye became a favourite for gothic fiction writers, the spoken language enabling it to evoke an eerie presence within the character (Mack 126).Mrs. Lovetts outward appearance as a young beautiful charwoman hides behind this demonic smile and veils her customers fro m what is in her basement and in her pies. The repulsion mobilize by the baker and the barber is that of the urban unknow. The story utilizes workable fears created in an urban center such as London and through Todd and Lovett plays them out to their full effect. The dreadful partners tap into anxieties that are deeply grow in peoples minds in cities with large populations and high place of criminal offence.A serial killer paired with anthropophagiteism is not far-fetched horror it is a fear that lies as a realistic possibility within all of us (Hand 141). Hand points to the fact that while some villains such as Van Helsing, and Jekyll and Hyde have lost their scare factor Sweeney Todd continues to fill the subroutine in horror due to his believable terror (141). Due to the fact that Sweeney Todd and Mrs. Lovett possess such strong horror characteristics, it is impossible for the story to hold on in the realm of romance. The two characters are the driving force that make this tale so enticing.It is these two characters alone that transform the romance into a terror (Mack 103). The attributes of horror are more prominent in the tale, as the love amid Johanna Oakley and Mark Ingestrie become a subplot to the terrifying murder and cannibalism taking place. It is because of this that I believe the story is titled incorrectly. Just as the pearls are not of undischarged significance to the plot, the romance also leads the reader astray from the true gothic element of the story. The score distinction and requisition of London in the eighteenth century shows itself prominently in the story.Mark Ingestrie destined to be a lawyer and respectable middle class man runs away in hope of finding treasure at sea. Changing his name to Lieutenant Thornhill, his journey proves a success until his return to London and loss of treasure. He then takes his place as a working class citizen, making pies for Mrs. Lovett under the name Jarvis Williams. The characters multiple roles in the story at different class levels, is a similar structure taken by the story A String of Pearls itself. The first time A String of Pearls. A Romance. was published in 1846 it was in Edward Lloyds weekly magazine Peoples semestrial and Family Library. The serialized story ran for eighteen weeks and had a total of thirty nine chapters (Weltman 1). Lloyds publication was considered to be a cent Dreadful, aimed at middle class London readership (Anglo 46). Penny Dreadfuls were serialized literature that provided cheap and entertaining reading for the English working class in the eighteenth and nineteenth century. They rose in popularity as the rates of urbanization and literacy increased in country.The demand created for secondary-priced literature was met with a transition from chapbooks to Penny Dreadfuls (James and smith xi). Penny Dreadfuls have their roots in gothic literature, as they tended to take commonly known tales from the late eighteenth and early nineteenth centuries and embellish them with details of nuisance and gore (Anglo 10-11). The first Penny Dreadful tales were aimed at an audience of all ages and sexes and were known commonly as bloods, however, by 1860, the serialized pieces were enjoyed predominantly by young boys (Anglo 12).Due to their cheap and quick production, Penny Dreadfuls were subject to much criticism (Dunae 134). In a severe critique made in by the evangelical society of London in the nineteenth century, Penny Dreadfuls were said to be devoid of every element of sweetness and light and are filled instead with blood and revenge, of passion and cruelty, as improbable and roughly impossible in plot as they are contemptible in literary execution (Dunae 135).Criticisms such as this were common during the publication of Penny Dreadfuls as they threatened the didactic and moral literature children were preferred to have indulged in. The upper classes looked down on the works as immoral and sensationalized crime storie s (Dunae 140). According to Dunae, much of the controversy surrounding Penny Dreadfuls was in earth caused by class issues in the time period, not by the depicted object (147). Groups attacked the publications as they were a threat to the upper classes.Working men and children were cerebration to be empowered by reading of lower class heroes and crime (Dunae 147). Much as Sweeney Todd himself is judged by his appearance as a lower class criminal, the story he appears in, is heavily critiqued based on its low form as a Penny Dreadful. If the story were to have been published originally in a form other than a Penny Dreadful, I believe it would be considered a greater piece of literature.Lloyds publishing company, like many others at the time was made up of numerous authors who were said to pass stories around, so it is believed to be unclear as to who was the original author of the Sweeney Todd tale (Jackson). Dunae proposes that the quality of writing in A String of Pearls is of h igher quality than most Penny Dreadfuls and believes he has traced the original author to be James Malcolm Rymer a more well-known Penny Dreadful author with significant works such as Varney the lamia (136).It is not only the writing that makes this story stand out from the rest. While most Penny Dreadfuls are predictable with diffuse and predictable plots (James and Smith xiii), A String of Pearls takes numerous plot turns that are unexpected and imposing to the reader. More contemporary literary critics have discussed the story in a more positive light. Anglo makes the claim that A String of Pearls is the best known Penny Dreadful (15) and that the character of Sweeney Todd is the most dreadful and famous villain from any of the tales published in the period (49).There has been one critique of the work that went as far to claim it has offered some of the best horror writing ever written (Jackson) and can easily be seen as the inspiration to later horror works such as Dr. Jekyll and Mr. Hyde, and genus Dracula (Jackson). While A String of Pearls may be gaining some recognition as an inspiration for other works, Mack points to elements of the story that stem from recognised classic literature that aid in pushing the work into a the category itself.Sweeney Todd, as villainous as he may be possesses an immense depth of intricate and confused humanity. His loneliness, regret and fear resign the reader to sympathize for the evil character in times of tizzy (Mack 127). Mack claims that this is similar to villains created in Dickens works. The Sweeney Todd story is also godly by other great works such as the Odyssey (Mack 116), as the story mimics the basic outline of a man returning from sea and falling prey to cannibalistic murder.The connections Mack is able to make to between the Penny Dreadful tale and classic literature allow the story to stand out in plot, influence and writing, all of which attribute it to be a greater work than originally labeled. The original story published by Lloyd in 1847 gained popularity quite quickly and before the final three installments had been printed, George Dibdin Pitt adapted it into a stage play and opened it March beginning(a) 1847 at the Brittania theatre (Weltman 1). Since then, the story has been adapted numerous times for stage, film and literature (Weltman 20).In this way, it has made its way through different classes as it becomes exposed to more people through different mediums. A String of Pearls has influenced a remarkable amount of literature since its creation (Mack 197). Sweeney Todd characters along with his cannibal pie making accomplice continue to appear in childrens literature to current day, including Terry Pratchetts Wheres My Cow? Their popularity and horror has spread across the world in an array of works (Hand 141).The storys survival is only more proof that it deserves the recognition of a great classic within English Literature. The story of A String of Pearls. A Romance brings to light the ways in which a publications format and title can affect its success as a piece of literary work. The storys origin as a serialized Penny Dreadful published in 1846/ 1847 confined its critique to a cheap and immoral tale meant only for the enjoyment of lower class readers. The format along with its title as a romance cut the tales true identity as a great work of gothic literature.Sweeney Todd and Mrs. Lovetts characters embody horror by rule the plot with a terror that can seem all too realistic for any reader. Their murderous and cannibalistic narrative overshadows the romance announce to readers. It is their horrific and suspenseful narrative that has carried through the past two centuries popularizing Sweeney Todd in literary works to this day. The nineteenth century characters ability to inspire terror in modern audiences deems this story the right to be called a classic.